Splitting Silence

SPLITTING SILENCE

It ‘s one of those PRAJNA nights!

Silence – near zero.

Boundless – blue-black.

Stars shoot silver.

Crack – Silence – Whomp!

Intimate with the sound of one tree falling, I snap awake. The phosphorescent Milky Way showers the Truchas Peaks rising above the remote PRAJNA MOUNTAIN FOREST REFUGE, the upcountry inholding of the UPAYA INSTITUTE & ZEN CENTER in Santa Fe, New Mexico.

Snowing still.

Cross-hatched felled trees.

Stacks of Aspen rounds,

Wait and weather.

At 9,400 feet in Northern New Mexico’s Sangre de Cristo Mountains,  a web of grounded inter-lying trunks – some down early, many long dead – await the buzz of a skilled chainsaw and the whack of a practiced axe.  The REFUGE ROSHI asks:

What is your practice?

Splitting Silence!

Tell me more?

Whack – Silence – Whack!

Whoah! Thus far and no further. Co-Abbot of UPAYA and the PRAJNA REFUGE Finder/Founder ROSHI JOAN HALIFAX and I could not get further down the snowbound forest service road to the yet-undiscovered  fifty-acre parcel outside Truchas, NM. We had been sleuthing and slip-sliding in all seasons in search of a remote retreat appropriate for sustainable wilderness practice. That blizzy March afternoon, it was too deep, too far, too soon dark.

Dusky – snowing.

Low viz – no viz.

See without seeing.

Know without knowing.

The ROSHI knew: The spring thaw revealed the sacred site of the PRAJNA MOUNTAIN FOREST REFUGE. Today’s denizens include: forest monks; back country hikers and skiers; field naturalists; galaxy-gazers; and a variety of wilderness retreatants compatible with earthy, all-weather causes and sound-effects.

Crack – thunder – lightening!

Near – far?

Tie down the tarp.

Tuck in – look – listen.

Whomp – another one down!

Barometer down: Thunderstorms turn the meadow to early-winter white. Come October, it’s time to put the garden to bed, stock the root cellar, and  excavate the snowshoes. The handsome log lodge and Abbot’s cabin are well-winterized now. Woodsmoke arises with aromas from upcoming hearty meals prepped by Peggy Reishin Murray, the Abbot’s Assistant. Spicy apple pies and herb-breads are confected by Refuge Caretaker MARTY PEALE, cozied up to by swirly-coated, caramel-colored sheepdog Shannon.

Sun sinks over the ridge, beyond aspen and fir, into the crepuscule. The dogs nuzzle crazy furrows in the white meadow, wiggling every-which-way. Sniffing for what? Kitchen smells bring me in at dusk after SPLITTING SILENCE all day.

Rounds quartered – more or less.

Stacks between Aspens,

Tapped tight and true,

Withstand whipping wind.

According to ROSHI JOAN, in Zen, we say: chop wood, carry water. This is in appreciation of the miracle of our everyday lives. And this woodchopping is not only about everyday lives, but about beauty and precision. Our woodchopper moves like a finely-tuned animal as she splits wood in total concentration. This is the essence of Zen.

Meditating into a blazing wood fire is the Zen-essence of deep-winter at the PRAJNA REFUGE. Split wood, stacked neatly on stone hearths and beside cast-iron cook stoves, awaits its destiny. I chuck another log on the fire.

Sparks scatter.

Flames flare.

Faces flash.

Aspen ashes.

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Prajna Refuge Caretaker MARTY PEALE responds:

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If I could, I would erase the word “only” from our vocabulary, and I would stop using the word “just” in the sense of “only”.
We say, “He’s their only child. This is only the beginning. I have only an hour. I have only one hand.” But I’d rather say, “He’s their child. This is the beginning. I have an hour. I have one hand” — and appreciate how full of potential each of these things really is.
Lisl isn’t just splitting wood, is she? She isn’t splitting wood only to help me heat my cabin. And heating her home in town isn’t really just about turning up her thermostat, is it?
Lisl is splitting wood, and this act turns out to be boundless. She is also splitting silence. She has sun on her skin, and she will stop today when the sun drops behind the fir and ponderosa on the ridge. She is noticing that most of the aspen in this pile is no longer smooth, waxy, green just beneath the surface, heavy with water; but has dried, grayed and begun to peel. When it splits, it sounds crisp.
Lisl is moving her whole body. All afternoon. She is remembering doing this as a child growing up with brothers. She turns each round so that her axe can find the grain as it splits around the knots where branches grew. She is breathing deeply now, high thin air. And when she stops for water, she may count aspen stumps and standing dead compared with live trees, knowing that we are trying to thin the dead wood from these forests before wildfire roars through them.
Or she may notice the light in the fall grasses, or the way aspen branch at right angles, or that the leaves on the small aspen at hand have labyrinth patterns in them, the elaborate trails of some small ‘worm’, and it doesn’t really matter whether we know or not that these larvae were the tiny white moths that rose like glitter or fairy dust or some kind of blessing in May, when Dyanna Taylor filmed them in the early and late light each day.
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Turning up the thermostat is also an act that turns out to be boundless.
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MARTY PEALE Prajna Refuge Caretaker & Coordinator
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4 Responses to “Splitting Silence”

  1. Ellen Barone says:

    Lisl, your artistry astounds me. The way you put together words and images. The way you make the ordinary extraordinary. Your vision and passion are a gift for yourself, and now for us. We are richer for it.

    Looking forward to seeing you at Story Shards in Red Mountain, if not Santa Fe.

    Warmest regards,

    Ellen

  2. Susanna Jade says:

    Ah yes, chop wood and carry water. It’s so simple. Thanks for reminding me how beautiful and rich the simple things in life are, like breathing, catching a snowflake on my tongue, walking through fluffy snow hearing the silence of the trees. I’ve been anxious of late. This is so calming, restorative, intimate.

    Again, 1000 thanks for this artful meditation.

    snow blessings,
    Susanna Jade

  3. Roger Toll says:

    oh, wood chopper, you are a friggin’ zen master…
    at creating music with an axe…
    at splitting silence…
    what power behind a simple swing, like karate…
    and what an eye, wait aim.
    if you ski like you chop wood, how can I keep up.
    Roger

  4. Holly Haynes says:

    I was mesmerized…what is it that makes splitting wood so riveting? I could feel the axe in my hands and felt like cheering when the logs fell open…also, my back started to ache…

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